Switzerland

Co-production treaty signed 2023. Entered into force August 2024. Canada's newest co-production treaty.

Switzerland's co-production treaty with Canada is recent — signed in November 2023, entering into force in August 2024. The corridor is young and its production track record is still modest, but the terms are unusually favourable: the PICS rebate runs to 40% for minority co-productions, the documentary spend minimums are low, and there is no cultural test. Switzerland's production sector is small-scale and high-quality, multilingual across its German, French, Italian, and Romansh regions, and anchored by a strong documentary tradition — the profile of an accessible entry corridor for a Canadian producer rather than a high-volume one.

Canadian Federal Credit (CPTC) 25% tax credit on qualified Canadian labour expenditure
PICS (Film Investment Refund Switzerland) 20–40% selective cash rebate (20% on artistic and logistical expenses, 40% on technical); minority co-productions are refunded 40% on all eligible expenses.
Minimum Swiss Spend — Fiction (majority) CHF 1.2 million
Minimum Swiss Spend — Fiction (minority) CHF 300,000
Minimum Swiss Spend — Documentary (majority) CHF 250,000
Minimum Swiss Spend — Documentary (minority) CHF 150,000
Shooting Requirement Minimum 5 shooting days in Switzerland normally required for fiction
PICS Budget Approximately CHF 6 million annually, supporting roughly 30 projects
Cantonal Incentives Cash rebates from Valais (15–35%, cap CHF 100K) and Zurich (up to CHF 30K + scouting grants); Ticino assesses case by case; Geneva introduces a 30% rebate in 2026, and Neuchâtel is piloting up to 15%
Broadcaster Investment Obligation Swiss broadcasters and streaming platforms required to invest 4% of Swiss-generated turnover in Swiss film production or promotion (effective 2024, ~CHF 30M annually industry-wide)
Cultural Test None for PICS. Eligibility assessed on economic and cultural benefit and treaty compliance.
Minimum Contribution Per Party — Bilateral 15% of total production budget
Minimum Contribution Per Party — Multipartite 10% per producer
Third-Party Coproducers Permitted if the third state has a co-production treaty or MoU with at least one party. Non-party nationals may fill at most one to two key positions.
Swiss Administering Body Federal Office of Culture (FOC / BAK)
Canadian Administering Body Telefilm Canada (administrative authority); Department of Canadian Heritage (competent authority)
Pre-shoot Submission Applications filed in principle at least two months before principal photography

Swiss incentives are selective rather than automatic — PICS is a cash rebate awarded on application, not an entitlement. Canadian CPTC and provincial credits apply to eligible Canadian expenditure. The two-month advance application requirement is longer than most Canadian bilaterals. The 2024 broadcaster investment obligation is new and expected to increase domestic co-financing availability. Eurimages may provide additional co-financing for qualifying projects (Switzerland is a Eurimages member).

Switzerland's production landscape is small-scale, high-quality, and decentralised across the country's linguistic regions. There are no mega-studio facilities — production is location-based or uses smaller studios in Zurich, Geneva, Lausanne, and Ticino. A new joint venture, Swiss Studios AG, was founded in 2024 by a consortium of five producers — Elite, Praesens-Film, Contrast Series, Bavaria Fiction Switzerland, and Kinescope Film — to consolidate development-to-distribution services. The country produces roughly forty to fifty features per year, internationally oriented but modest in scale.

The crew base is highly skilled and multilingual by necessity — German, French, Italian, and Romansh are all working languages depending on region. Productions routinely shoot and post in the relevant language region or mix crews across cantons. This multilingual infrastructure is a genuine structural feature for projects that need to work across European linguistic boundaries.

SRG SSR, the Swiss Broadcasting Corporation, is the dominant public broadcaster-financier, investing over CHF 30 million annually in Swiss film and co-productions across its four language units (SRF, RTS, RSI, RTR). For a Canada-Switzerland co-production, SRG SSR is the natural first institutional conversation on the Swiss side — the equivalent of RAI Cinema in Italy or the broadcasters in France, though at a smaller scale.

Swiss Films is the national promotion agency, handling festival circulation, market access, and co-production matchmaking. They publish annual guides on coproducing with Switzerland — a practical resource for any foreign producer exploring the corridor. Swiss production companies with international co-production experience include Alina Film, Nadasdy Film, Langfilm, and Praesens-Film, all of which have worked across European corridors.

Switzerland has a strong documentary tradition with consistent presence at major festivals including Visions du Réel (Nyon), IDFA, and Hot Docs. The Locarno Film Festival (August) is one of Europe's premier auteur events, with its Piazza Grande open-air screenings and a strong industry programme. For documentary work — particularly the kind of research-driven, subject-matter-expert documentary that this corridor is well positioned to support — the Swiss ecosystem is experienced and internationally connected.

Why this corridor

Switzerland is an unusually accessible corridor for documentary co-production, despite being recent. The PICS rebate reaches 40% for minority Swiss co-productions, the documentary minimum spend runs as low as CHF 150,000, there is no cultural test, and the minimum contribution is 15% — a combination that lets a well-structured Canada-Switzerland documentary be built at a budget level realistic for independent and first-time co-producers. SRG SSR's four-language broadcasting and the country's strong festival presence (Visions du Réel, Locarno) give the Swiss side genuine documentary depth.

This is not a corridor for large-scale production; it is for research-driven, intellectually ambitious documentary made by people with deep subject knowledge. Rubedo is interested in exactly that register, and is looking for Swiss producers — in the Visions du Réel and SRG SSR orbit — who work in serious factual filmmaking and want to develop the bilateral relationship with a Canadian partner.

Where to start

If you're a researcher, student, or potential collaborator interested in this corridor, here's what we know about where to begin.

If you're interested in the production side

Swiss Films (swissfilms.ch) is the national promotion agency and the most direct entry point for international co-production inquiries. They publish annual guides on coproducing with Switzerland, facilitate market access, and handle co-production matchmaking. Start there.

The Federal Office of Culture (FOC) administers both the treaty and the PICS rebate. Their website documents application procedures, eligibility criteria, and current funding rounds.

The Locarno Film Festival (August) is Switzerland's most significant industry event, with a strong co-production and development programme. Visions du Réel (Nyon, April) is one of Europe's leading documentary festivals with a dedicated industry platform — the natural event for anyone exploring documentary co-production with Switzerland.

For documentary producers specifically

The documentary co-production pathway through Switzerland is unusually accessible. The PICS rebate at 40% for minority co-productions, the CHF 150,000 minimum eligible spend for documentary minorities, and the absence of a cultural test mean that a well-structured Canada-Switzerland documentary co-production can be built at a budget level that is realistic for independent producers and first-time co-producers.

SRG SSR's four-language broadcasting structure means there are multiple potential broadcast partners depending on the linguistic focus of the project — a German-Swiss subject engages SRF, a French-Swiss subject engages RTS. The multilingual structure is an advantage: it means there are multiple entry points into the Swiss broadcasting ecosystem.

Switzerland's strong documentary festival presence — Visions du Réel, Locarno's documentary sections, consistent selections at IDFA and Hot Docs — demonstrates that the ecosystem supports exactly the kind of research-driven, intellectually ambitious documentary work that this corridor is best positioned to produce.

Canadian institutions

The Swiss Canadian Chamber of Commerce operates national and regional chapters and runs business forums, trade missions, and networking events. These are oriented toward business rather than film, but for the kind of research-driven documentary producer this corridor is designed to attract, the business network may be more directly relevant than a film industry contact.

Swissnex — Switzerland's innovation and consulate network — operates in several countries and facilitates academic and creative exchanges. Swiss clubs and societies in major Canadian cities maintain cultural programming.

The Swiss diaspora in Canada is modest — approximately 41,000 Swiss citizens resident in Canada, with a broader Swiss-origin community concentrated in Ontario, Quebec, and British Columbia. There is no single concentrated community centre equivalent to what exists for the Italian or Latvian diasporas. The institutional connections for this corridor run through business and academic channels rather than diaspora cultural infrastructure.

If you're a filmmaker, researcher, economist, or institution in Switzerland — or anywhere — and any of this is interesting to you, we'd like to hear from you.

contact@rubedo.ca